Ah, BandCamp. Tucked in with a sundry of angsty teen garage bands, amateur DJs, and wannabe rappers is an overlooked treasure trove of hidden musical gems, just waiting to be discovered.
Foxy & The Hares is one of the shiniest gems that we have found to date.
At first glance, their cover art for the demo version of their single, “YEAH!,” caught our eye. We here at Joonbug were absolutely blown away by the sheer amount of talent exuded by these Texas natives. Consisting of peppy frontwoman Katie Wallace, who’s backed by her dear friends Coleby Arnett, Luke Garrigus, and Jaremiah Rivas, Foxy & the Hares will enthrall your senses with their dreamy soundscapes.
Joonbug.com got Leggy this past Sunday night when the Cincinnati “babe-wave” band invaded NYC’s Cake Shop! Playing a mixture of tracks from their current album, “Cavity Castle,” and their upcoming EP (set for release in January), the self-described “nü garage indie punk pop” trio jammed their spunky reverb heavy tunes on the lower east side as a part of their east coast tour. It. Was. AWESOME.
Knife Party has just released their debut album, Abandon Ship, on a select number of digital marketplaces. The Australian duo of Rob Swire and Gareth McGrillen have made a very big name for themselves in electronic/dance music. Their debut EP 100% No Modern Talking, released in December 2011, accumulated over 50,000 downloads in less than 12 hours on its first day of release.
The duo's debut album's release today on iTunes, Spotify, and Google Play via Earstorm/Big Beat marks a three-week difference from Abandon Ship's official worldwide release date on November 24th, when it will be made available on the physical marketplace.
The Bad Years' Sami Akbari and Aaron Mort present to the world their pop-meets-rock vibe transcending different eras with soft, somber vocals and an electro-indie touch! Their debut track, "Common Mistake," was released today, and offers a unique sound blended with a catchy melody and enchanting hook.
The Bad Years also booked their first live gig set for Wednesday, November 19th at Fold Silverlake - Bootleg Bar, Los Angeles, CA. You can find more details about the event here.
London based DJ’s Eli & Fur, or Eli Noble and Jennifer Skillman have been building quite a name for themselves. They have been making music together since they were in college, first dabbling in creating melodies and lyrics, then progressing into the DJ scene in 2012. They have recently put out the exciting single, “Seeing Is Believing," their amazing collaboration with Shadow Child.
Their latest track, "Feel The Fire," has a dancey beat, featuring Eli’s pure vocals, with a luxurious and polished vibe. The track has a melodic sound and a hypnotic feeling that is perfect for relaxing or partying—best of both worlds!
These girls create infectious tunes that are taking over European dance floors and London clubs. We hope to hear more of them over here in the states!
Stream the track below and purchase here.
NYC-based and joonbug.com favorites, Andy Suzuki & The Method, will be making their way back to New York City, as they embark on a new tour, opening for seasoned singer/songwriter Marc Broussard this fall. Returning to NYC on October 8th, the band will show off their growth at the Highline Ballroom, with an all-new set, including new songs and most of all, renewed energy.
The trio, who have been busy over the spring and summer months performing alongside the likes of Wakey! Wakey!, and the legendary Ringo Starr, now join Broussard on a month-long leg of Broussard's "Southern Assembly Tour," which began in North Carolina and will close out in Chester, New York on October 10th with Suzuki and co. as supporters. The tour, in support of Broussard's new album, A Life Worth Living, pairs Broussard's classic jams, with a new batch of his southern soul music, and with the addition of Andy Suzuki & The Method, the concert experience overflows with powerful music that has to be experienced to be believed.
It's here, the newest single from Keys N Krates, 'Understand Why'. Hailing from Toronto, Canada, the group has released the single just in time for the September 18th start of their Every Nite tour, although they have making waves across the nation with their widely popular, "Are We Faded".
Thanks so much for speaking with us! Could you tell us a little bit about yourselves?
Of course! We’re The Well Reds, a pop rock quartet from Atlanta, GA. Home of the Braves, Coca-Cola, and Waffle House. Fortunately we’ve been able to tour extensively throughout the US the past couple of years, and we’re currently in the first leg of a fall college tour that’s already seen us play Chicago, New York, Memphis, St. Louis, and throughout Pennsylvania. Our new full length album "Volume" will be released November 10th and was recorded with Grammy Award winning producer Joseph Preilozny. We’re beyond excited about this new record and are teaming up with Atlanta start up Loudfund in an effort to do the release right. Loudfund has developed an incredible new business model, based on a direct relationship between artist and fan where everyone benefits from the success of the album.
Who were some of your biggest musical influences growing up?
Each of us grew up with very different musical influences. Collectively, we all kind of meet in the middle when drawing influence from 90s/2000s rock and pop, but individually various members bring in equal shares of John Coltrane, Miles Davis, Boston, Steve Miller, Lenny Kravitz, Foo Fighters, and Phil Collins (among others).
How do you think the Atlanta music scene has shaped your sound?
Atlanta has a very rich hip hop and r&b history and a very underrated jazz scene. Right up the road about ninety minutes away is Athens GA, a city that was very important throughout the early evolution of new wave and alt rock. Many of the bands in and around Atlanta (both past and present) have been really good at melding genres and creating hybrid/fusion music styles. I think this attitude of being willing to draw from a variety of different influences has affected us deeply.
Your sophomore album, "Volume," comes out this November. How does this record's sound differ from that of your last album?
"Volume" keeps what have become defining elements for the band: interplay between the primary and background vocals, emphasis on hooks and melodies, and forceful rhythm section playing. Additionally, we are also introducing a variety of new sounds, programming elements, and instrumentation. Joseph's urban and pop production fingerprints can be heard in many of the tracks and we feel there is a good juxtaposition between the polished and more raw elements.
The Daily Unsigned has described you as "the epitome of musical bliss." When you write, do you specifically set out to evoke a certain euphoric feeling, or does it just come naturally?
I think our primary goal when writing is to be honest and much of this record was inspired by our more recent life experiences. "Volume" chronicles both the good and the bad & the highs and the lows that we’ve experienced individually and collectively as members of this band. We do try to operate with a healthy level of cautious optimism and laugh off the bumps in the road, and this perspective somewhat organically manifests itself in some of our more happy tunes.
You've shared the stage with acts like Minus the Bear and Hot Chelle Rae. Who else would you like to work with in the future?
There are so many incredible bands that we draw inspiration from and it would be dream come true if we got the opportunity to work with OneRepublic, Imagine Dragons, Maroon 5, Coldplay, or Mutemath.
Anything you want to say to your fans?
Yes. It’s through the continued support of our fans that we’ve been able to pour so much of ourselves in the group and the new record and we don’t take that for granted. We love connecting with new and familiar faces both in person and online (facebook.com/thewellreds, twitter.com/thewellreds, instagram.com/thewellreds) and we are really excited about teaming up with the Loudfund and our fans to make this release special.
Forlorn and bright, haunting and infectious all at once, Kat Quinn’s latest EP, Kind of Brave, will have fans of Ingrid Michaelson, KT Tunstall and Norah Jones hooked immediately.
The 4-song EP starts off with the title track eases listeners into the set with beautiful instrumentation from a ukulele, soft piano and light percussion. Quinn showcases her smoothness right off the bat as her soothing voice bends and creeps to hit notes throughout her wonderfully crafted melodies. “I’m letting go,” Quinn softly sings – mimicking the carefree vibe of the song itself.
It’s eighty-two degrees and sunny outside. There have been a number of celebrity sightings on Rodeo Drive this afternoon. Most of the ‘A’- listers spotted, were seen weaving through the crowds en route to their favorite boutiques, while many of the others sipped champagne from cut-crystal flutes at some of the nearby bistros. The city of Angels is host to a much darker element as well; one where leather, guitars, and gangs define the social structure. Death Valley Girls, the tough-talking, hard-hitting foursome with their own brand of fuzz-soaked dystopian doom punk, is a product of this gritty counter-culture. After a successful debut of their EP, "Street Venom" on Burger Records back in February, the girls now are preparing for the release of their sophomore endeavor via Lolipop this fall, by dropping two of their new singles early; "Electric High" and "Gettin' Hard." "Electric High" takes no prisoners, with roaring guitars competing shamelessly with unrelenting percussion, all embedded within a heavy layer of reverb. The surprisingly danceable beat is a throwback to the early days of garage and punk rock, much like The Velvet Underground and Jesus and Mary Chain...it's rad. On the album's B-side is the pulverizing "Gettin' Hard," a groovy blend of Black Rebel Motorcycle Club, Pain Dimension, and The Murlocs. Powerful lyrics tell a tale of woe with the help of classic staticy instrumentals: "things are getting so hard, things are getting so hard for me...things are getting so hard, what I get I get for free..." We spoke with the rough-and-tumble foursome responsible for these recalcitrant new tunes: frontwoman Bonnie Bloomgarden, bassist Rocky, "The Kid"/Kill City Kelsey/Laura Kelsey (formerly of The Flytraps) on drums, and guitarist Larry Schemel (ex-Flesh Eaters and brother of former Hole drummer, Patty Schemel) about fulfilling lifelong goals, dream collaborations, and what the future holds... Earlier this year, you released your debut album "Street Venom" on Burger Records. What would you say were the biggest inspirations for the record? BONNIE BLOOMGARDEN: Putting out a tape on Burger was our inspiration. It took three of the longest, loneliest, most grueling soul-sucking, life de-mystifying years to find one another. When finally we did meet we had only one goal in mind...Put out a tape on Burger Records. Do you have a favorite track? ROCKY: Yeah..."Arrow," because it doesn't sound like anything else. LARRY SCHEMEL: "No Reason," cause it's one of the first songs we wrote together and all still like! THE KID: Oh man!...Probably "Run Run Rocky" because I love the organ at the end...or "No Reason," or "Sanitarium Blues!" Do you have a set songwriting process? BONNIE: No, songs just come to us...who knows from where! The only thing I'm certain of is that when Larry and I write together it's magic, it's street, and that's what we like. So, all we need to do is sit down, find the melody, and it builds from there. In terms of lyrics, well, I just wait until I'm in the studio to write them. Playing guitar feels good, writing lyrics and thinking aren't as fun. What's the biggest difference between the sound on "Street Venom" as opposed to your new EP? BONNIE: Street Venom had been brewing in the ether for a long while. It only took two days to record because we recorded with a true studio wizard, Mark Rains, there's hardly any overdubs, mostly first take best take or else we move on. "Arrow," "Get Home," and "Paradise Blues" were born on the spot. The process for the new EP was different, it was super intentional. We have so much fun playing these songs we wanted to get them down while they were still young and fresh, and we wanted them out right away so everyone could hear them. The two tracks are with our new drummer, "The Kid," and "Street Venom" was with Patty. Oh, and I think we're calling the new EP "Street Justice," but that's not official or anything. Who are your biggest musical influences? BONNIE: Black Sabbath, The Stooges, Little Eva, MC5, Velvet Underground, The Cramps...Bo Diddley to name but a few. Bonnie, you're featured on the new King Tuff album. How'd you get involved in that? BONNIE: It, happened! It was fate at its best, you know? Bobby reached out to me because he needed someone to sing back up vocals. Then, being able to go into Studio B with Bobby Harlow, who's one of my top ten all time favorite rock and rollers. As if that wasn't cool enough, I find out it's for the new King Tuff! And they had Ty Segall on drums, ya know, I mean, I'm super into him, and on drums, he plays like no one else... it's too amazing, won't likely happen again to be part of such a personally epic project, but it was enough good to last a few lifetimes. If you could collaborate with anyone - dead or alive - who would it be? BONNIE: Fred "Sonic" Smith on guitar, Ivy on rhythm guitar, (or Tony Iommi on lead and Thunders on rhythm) Ringo on drums, the bass player from UFO on bass, The Tammies as back up girls, me as lead back ups, and Iggy on vocals. And of course Brian Jones on string-ed things for when we record. We see that you guys have a bunch of west coast dates scheduled with Shonen Knife this summer, any plans to come to the east coast any time soon? BONNIE: Plan it everyday. Where do you see the band in five years? BONNIE: Oh man. There's this awesome compound type thing on top of this hill in Elysian Park. It looks victorian, but also could be from the 50's. It's three very tall houses, and I believe a guest house with no windows, which would be our studio. And there's a vegetable garden and tons of fruit trees, and cactus that are so unusual, they're probably the only of their species. I hope we are living there. Or at least in a house with a basement. And we gotta have chickens. And dogs. Is there anything you want to say to your fans? BONNIE: Oh man, Hi!